What do you give the sound engineer who has everything? Another mixer of course! Like guitars, you can’t have too many mixers. So I’m always keen to look at a new addition to the mixer market, in this case the new Notepad-12FX. We all love a 48 channel J series mixer - SSL or Calrec - but seriously how are you going to get it in your Crumpler messenger bag? We don’t just need big mixers, we need small mixers and we need mixers we can afford and the new Notepad series from Soundcraft aims to satisfy both these criteria. Available in three formats, Notepad 5, 8FX and the 12FX - they are all highly portable and very affordable.

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The FX stands of course for on-board effects. For perspective, all of the headphones I plugged into the 12FX cost considerably more than the mixer - makes you think about value for money!

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But value of course is closely related to performance - so we’ll have to return to the value issue having had a good look at the new Notepad. The 12FX offers four channels of mono mic/line input on combi jacks, two stereo line inputs on quarter inch jack and stereo line inputs on phonos which doubles as a stereo input via USB from the computer. The audio over USB is combined with the audio from the physical phono connectors. A stereo effects return on quarter inch jacks overplug the normal function of the channel, which is the return from the on-board effects.

All in all a decent amount of input in a package little bigger than a hefty hardback. All this sits in a solid steel top plate that gives the body of the mixer a feeling of tough resilience. The mic inputs have permanent 48 phantom - ribbon mics beware.

Each mic channel has a high pass filter at 100Hz and three band EQ. Inputs 1 and 3 can be switched to Hi Z allowing you to plug one of your many guitars in directly. The four mic channels and the two stereo inputs have trims pots for the input gain with up to 60 dB of gain on the mic channels and plus or minus twenty dB on the stereo line inputs. On the output side the main output is available on XLRs, which are very welcome at this price point.

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There’s a mono aux output on quarter inch jack. This output is post the Aux Master and can be switched between a mono line out and a stereo headphone output.

The aux out send is pre fader and also pre the pan and balance controls. Finally the headphone output on quarter inch jack with its own volume control. The output is switchable between the master output and channels 3 and 4 of the USB output. There’s a couple of points here, first the output is beefy enough to drive the 250 Ohm Beyerdynamic DT1990s loud enough for Ted Nugent. Yes it goes up to 11, handy for momentary checking a tricky section of the mix.