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In the gallery, twenty-inch-thick adobe walls plastered with earth and water glow softly as light streams in from the French doors on three sides and from the clerestory windows on the east wall. Peeled vigas (beams) support the roof—topped by an observation deck—while multiple coats of turpentine and linseed oil bringa soft matte finish to the smooth adobe floors. Arden Scott's Spirit Boat sculpture hangs from the ceiling. On either side of the gallery are patios used as roofless rooms. Photo By Terrence Moore •.
In 1972 during a Paris dinner party, a friend told Simone Swan to read Architecture for the Poor by Egyptian architect Hassan Fathy. The book changed her life.
Deeply moved by Fathy’s philosophy, Simone went to Egypt, where she apprenticed with Fathy, then went on to build adobe houses in the west Texas desert using knowledge she gained half a world away. She also founded a nonprofit—the —to carry out experiments in adobe building methods, including developing plasters that breathe. The Alliance schedules at least one workshop a year on how to build healthy, beautiful, and affordable homes. In the 1960s and early 1970s Simone founded and ran Withers Swan, a unique public relations agency in New York that specialized in art and the environment and whose clients included museums and universities. Later she served as executive vice president of the Menil Foundation, a philanthropic organization. In1972 when she read Fathy’s book in French (the French title translates as Building with the People) and was transformed by the architect’s vision of a sustainable society in which people in need of housing gained health, pride, and inspiration by cooperatively building their own beautiful homes from native materials such as earth.
Simone studied architecture with Fathy, visited his projects, assisted him with translations, and helped develop an institute to educate people about Fathy’s vision for low-income housing. By the time he died in 1989, Simone was determined to carry on his ideas. Common ground What do the pyramids and sand dunes of Egypt have in common with west Texas? More than you might think, according to Simone. Both are fertile river valleys located in deserts, and even the climate and birds are similar. Egyptian culture centers around the Nile Valley, and Presidio, Texas—where Simone designs and builds adobe houses—is located at the confluence of the Rio Conchos and Rio Grande rivers (creating a fertile agricultural region) in the northeast corner of the Chihuahuan desert, about fifty miles west of Big Bend National Park. Like far away Egypt, agriculture was once a mainstay of Presidio’s economy.